Lydian Mode Formula W W W H W W HF Lydian F G A B C D E F Intervals R M2 M3 +4 P5 M6 M7 P8 Characteristic Pitches: NoneCharacteristic Progressions: I-II or I-VIIm The mode built off the fourth degree is an soaring, ethereal mode. While it technically doesn’t have a characteristic avoid

Structuring Song Sections: Two Equal Length  Progressions Per Section While repeating one progression for the entirety of a verse, chorus, or bridge can be quite effective, adding a second progression to a section can have interesting effects.  This technique can be used to provide contrast or push the song into a new section, or both. 

Harmonic Rhythm  When coming up with a chord progression, many less experienced songwriters fail to value the rhythmic placement of the chord changes as much as other elements.  However, when and how often a chord change occurs has a dramatic effect on the overall perception of a chord progression.  The frequency and rhythmic placement of

Major Key Cadences    Musical composition is built on the convention of tension and resolution.  A melody or a harmony progressively cycles between these two ends of the spectrum.  In harmony, this convention is best embodied in the technique of cadencing, where tension from a dominant or subdominant chord is resolved into a tonic chord. 

Triadic Chord Families The diatonic chords in a given key share certain pitches and characteristics which allow them to be grouped into families.  These chord families capitalize on the hierarchy of melodic stability of the individual pitches in a key to create different effects in a chord progession.  Understanding these families is helpful in creating

Phrygian Mode Formula       H       W        W       W         H          W   W E Phrygian  E   F       G        A          B          C   

The Dorian Mode Formula     W       H        W        W         W         H          W D Dorian  D   E         F       G   A          B